Hereby, you find a biography of Herbert Flack. This website uses frames, so if you can't see frames, please mail us at postmaster@herbertflack.com. We will send you more information by email.
A Tender Brute with an impressive career
Herbert Flack was born of a British father and a Flemish mother in June 1949 near Antwerp, four years after the liberation of Belgium. He studied at the theatre faculty of the Koninklijk Vlaams Muziekconservatorium (Royal Flemish Conservatory Drama Department) of Antwerp, graduating in 1971 with distinction. In 1987 he participated in a workshop of Delia Salvi (Actors Studio L.A.) in Amsterdam. Never loosing his natural born grace, he evolved throughout his career from a juvenile lead into an artistically matured handsome man. Fascinated by language, he has long proved to be an expert in the dance of words and rhythms that can mirror reality, bring it to life, or defy it. This art had him waltz with verve from the stage to film sets and back.
A Seducer on Stage
For twenty-five years, Flack was a
member of the company of the Koninklijke Nederlandse Schouwburg (Royal Dutch
Theatre) in Antwerp, where he featured as a star in many classic and contemporary
productions. He was Treves in The
Elephant Man (Pommerance), Boris in Children
of the Sun (Gorki), Nico in Norman, is that you? (Clark), Henry VIII in
Thomas
More (Bolt), Ripafratta in Mirandolina (Goldoni), James Carmichael in
Romantic Comedy (Slade), Kittel in Ghetto
(Sobol), Bob in Glenngary
Glenn Ross (Mamet), Gennadi in
The Forest (Ostrovski), Versjinin in
Three Sisters (Tsjechov), and Sultan Saladin in Nathan
the Wise (Lessing). Often he had the pleasure to be granted the role of
the irresistible seducer, from Don
Juan to Don
Quixote.
He was Leonardo the lover in
Blood Wedding (Lorca), and he tamed shrews in the role of Petrucchio
(Shakespeare). As a juvenile lead he took in girls from most honourable families,
such as Fientje
Beulemans. In Woyzeck (Büchner) he was Drum Major, and in
Educated Women (Molière) he was Trissotin. As Dracula
(Tiller) he sucked and licked blood.
Starring on the Silver Screen
But theatre is not Flacks only passion, as shown by his appearance in over thirty films. He made his entry as the young lover Eric in Vrijdag (Friday) (Hugo Claus), was a policeman in Zaman (Lebon), made an Odyssee d'Amour with Pim de la Parra in the Dutch Antilles, and was cast as a playboy in Springen (Jumping) (De Decker). On a more humouristic note he was the rival of the famous Flemish comic Urbanus in Hector and Koko Flanel (Stijn Coninx), and the deceived husband in the Dutch blockbuster De Familie Flodder (The Flodder Family) (Dick Maas). His most recent appearance on screen was in Film 1 (Piranha Blues), the excellent and provoking debut of Willem Wallyn.
On your couch
Herbert Flack has appeared in Flemish, French as well as Dutch prime time TV serials such as Medisch Centrum West, Wittekerke, Plantage Allee and Les Steenforts. In 1998 he was the lapsed hero of the famous serial Diamant (after Jef Geeraerts). With his graying whiskers being just another attribute of a never failing charmer he now has admirers in almost every household watching Thuis, a soapseries on national television TV1.
And more
What many people dont realise
is that Flacks alluring voice is the very voice which can be heard in
many commercials on radio and television. He is not completely void of business
instinct.
Combining a cool head with a warm heart Herbert Flack is a rather exceptional
personality in the world of actors. His is a nonchalant chic, a daring blend
of good looks and provocation something that might very well be due to
his English roots. He is a man of the world, who catches the appreciative eyes
of women. But above all he is an actor who loves acting, equally at home in
the classic world of repertory theatre and the world of film and television,
dominated by concerns of high ratings. He knows the art of self-expression in
its many forms, and takes it even further, turning it into the art of seduction.
After all, what is acting if not seducing?